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Anne Truitt 1921 2004 is a heroine of American Minimalism an increasingly admired artist whose journals Daybook Prospect Turn have a longstanding and devoted readership but whose art has not previously been the subject of a substantial monograph Perception and Reflection remedies this historical oversight superbly and decisively The evolution of Truitt's sensibility is at once a classic Minimalist story and the tale of a truly independent spirit following an encounter with the black paintings of Ad Reinhardt at the Guggenheim in 1961 she abandoned her earlier sculptural style and began to make stark columnar works inscribed with bands of sometimes bright and sometimes quiet color Truitt's account of this transition betrays her rare clarity and sensitivity I thought to myself 'If I make a sculpture it will just stand up straight and the seasons will go around it and the light will go around it and it will record time'


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    This is an excellent exhibition catalogue with lots of colour images published for the Truitt show at the Hirshhorn Museum There are two very interesting scholarly essays based on extensive research One by the curator Kristen Hilemen and the other by James MeyerMeyer continues his consideration of Truitt started in his superb book on minimalism Minimalism Art and polemics in the sixties When I read that book I was at first skeptical of the way he positioned Truitt in relation to minimalism it seemed like a strange sort of 'feminist recovery inclusion Now I am think that positioning Truitt in relation to minimalism really opens up that history letting colour and sensuality back in Her work needs to be seen in the flesh but it is nonetheless very well represented by the catalogue quite a feat in itself